Chichester Open Studios Artists
COS26 An Interview with Polly Meynell Studio 56
Posted by Jazmine Saunders on 4th March, 2026
Polly Meynell will be showing her work at studio 56 EASTWARD, she creates bespoke textile embroidered artworks for public and private spaces. She trained at Brunel University and has been developing her unique approach over a twenty-five-year period. Through this interview, we gain greater insight into her evolution as an artist.
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Chichester Art Trail
Did anyone encourage you creatively when you were young?
COS26 An Interview with Polly Meynell Studio 56
I was very lucky to have creative parents. My Dad is an architect, and I grew
up sharing his interest in buildings, structure and texture and enjoyed the
benefit of his knowledge and conversation about them. My mum, a medic by
profession, was very able with a sewing machine and taught me how to make
clothes, knit and embroider from a young age. My grandparents also
appreciated art very much and the house we shared with them when I was
growing up was filled with all sorts of interesting objects and artworks and
books. -
Chichester Art Trail
If you couldn’t make art, what would you miss most?
COS26 An Interview with Polly Meynell Studio 56
I think I would miss the ability to express myself most if I wasn’t able to make
art. But I am also a singer so perhaps I might do more of that instead?! -
Chichester Art Trail
Do you have any unusual tools, habits or rituals in your workplace?
COS26 An Interview with Polly Meynell Studio 56
I do love an unusual tool. I have a series of sewing needles in many different
sizes and shapes, curved, flattened, angled, sharp and blunted. I also have a
couple of very old bodkins, which are needles in themselves for threads such
as cord and rush. I also have a handful of silver thimbles that my
Grandmothers and Godmother gave to me. One is from George and Mary’s
coronation in 1911. I love to think of the fingers that used these tools, of the
things they created, and the stories those objects could tell. -
Chichester Art Trail
How long have you been making art seriously?
COS26 An Interview with Polly Meynell Studio 56
Since I left university in my early twenties. I became self-employed at this time
and have been lucky enough to support myself for 25+ years. -
Chichester Art Trail
What theme or subject keeps pulling you back?
COS26 An Interview with Polly Meynell Studio 56
Lines. Stripes, natural forms that have a linear expression. And colours that
pop and change with association. -
Chichester Art Trail
What would your dream creative project be?
COS26 An Interview with Polly Meynell Studio 56
I have been lucky enough to have already had a number of dream projects. I
was commissioned to make a commemorative piece for our late Queen’s
Platinum Jubilee for the Mercers Company, I have made ecclesiastical robes
for some of the highest-ranking Bishops in the country, and red-carpet outfits
for film stars. My dream would be to continue working in this field with the
unpredictable variety I have enjoyed for nearly three decades. One can never
take a creative career for granted, and I am grateful for every project I engage
with. -
Chichester Art Trail
What might visitors be surprised to learn about you?
COS26 An Interview with Polly Meynell Studio 56
I am also a jazz singer and recorded an album in 2016. I have sung at Middle
Temple Hall, was the winner of the Chichester Jazz festival soloists
competition, and have performed to the public for 20 years.I am also the Chair of Sussex Wing Air Cadets and look after 22 Squadrons
from Chichester to Hastings, with just under 1000 cadets from aged 12-20. -
Chichester Art Trail
What do you hope the future holds for your art?
COS26 An Interview with Polly Meynell Studio 56
I am currently working on a national community project with women who have
had experience of the criminal justice system. The artwork is a collaborative
piece with each women expressing their loved relationships through a piece of
embroidery. I devised this project after being commissioned by the charity Not
Beyond Redemption to make an artwork that represented hope for women
waiting to be reunited with their children. I wanted to highlight the experience
of maternal separation caused by the justice system in this country and give
women an opportunity to raise their voices and stories through the artwork.
The exhibition of this project will be touring cathedrals in the UK at the end of
2027.